Porcelain works suspended between formation and dissolution. The white of these pieces is not absence but potential — a moment before the fall, a breath held in clay.
Forms that embody the paradox of stillness within impermanence. Porcelain, the most refined of ceramic materials, here carries within it the memory of its fragility — the possibility of breaking that never fully disappears.
浮白 — to float white, to hover at the threshold of dissolution. These works ask what it means to remain whole while also being always on the edge of becoming something else.
