Surfaces pressed with earth, bark, and organic matter before firing. The body of the clay becomes a record — an archive of contact between material and landscape.
Natural ash settles on the forms during the firing process, creating colors and textures shaped by fire, time, and chance. No two pieces are alike; each carries the specific landscape of its making.
These are objects of witness. They hold impressions of things that no longer exist in that form — bark that has since fallen, earth rearranged by weather, the exact pressure of a hand at a specific moment.
